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Phase response doesn't matter anymore ? |
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shamu144
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Topic: Phase response doesn't matter anymore ?Posted: 07 Aug 2011 at 3:59pm |
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I stumbled across this wiki page related to audio system measurments which I found an interesting read for those of us who are not familiar with this technical language and allow to get a glimpse of meaningfull measurments for audio signals. When considering analog signals, I notice that some measurments are fairly common and very often quoted by manufacturers, like the frequency response (FR) or total harmonic distorsion (THD).
However, phase response is almost never quoted in the technical literature of manufacturers... When digging a little further, I get the impression that this concept is actually a fundamental aspect in audio signal processing, and is used for characterizing the behaviour of a system in the time domain. Under certains asumptions, the phase response and the frequency response can be used to fully describe the "so-important" transient response of a system (as opposed to steady state). That was a fascinating learning for me.
Phase response or phase shift (expressed in degrees as a function of the frequency) is apparently as meaningfull in audio as the standard and much more common Frequency response. Problem is that there do not seem to be an agreement in the Audio community on how it affects the sound we listen, nor does it appear necessary to have a perfectly flat (0º) phase response to produce good sound.
An interesting paper for us headphone geeks is the AES report by Lipsh*tz: On the Audibility of Midrange Phase Distorsion in Audio Systems, where they determine that the audibility of phase distorsion is in fact far greater with headphones than with loudspeakers !
Another thesis report reach similar conclusions when analyzing The Influence of Phase Distorsion in Sound Quality, and notice that especially speech reproduction through headphones is extremely sensitive to phase distorsion... They also note that training can easily increase the skills of the listener to detect it.
As headphone users, shouldn't we pay much more attention to proper phase response of our systems, and maybe not so much to frequency response (highly individual HRTF make almost imposible achieve a perfectly flat FR) ? How could we know this, without proper measurments published by manufacturers ?
Is this the key for a true musical listening experience ? Edited by shamu144 - 07 Aug 2011 at 4:01pm |
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Graham Slee
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Retired Joined: 11 Jan 2008 Location: South Yorkshire Status: Offline Points: 16314 |
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Posted: 07 Aug 2011 at 7:06pm |
"Phase Integrity" anybody? I've been hammering on about it since 1998!!! Also see the graph on this page http://www.phonostagepreamp.com/reflexmcphonostagepreamp.htm And what is Ultra-Linear about? "We call this innovation Ultra-Linear because that was the tag used to describe the great performance of the best sounding valve amps that first made their appearance in the mid 1940's. These techniques vastly reduce the phase modulation distortion and linearity distortions that are hard for solid-state audio designers to perceive let alone measure." shamu, it seems nobody is interested - the hyper's say my explanations are hype and the reviewers all have tin-ear. So in 2008 we decided to launch this owners club forum for the express reason of giving the truth an airing. |
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Fatmangolf
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Joined: 23 Dec 2009 Location: Middlesbrough Status: Offline Points: 9695 |
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Posted: 07 Aug 2011 at 7:17pm |
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Thank heavens you did Graham! I have seen the term "linearity" used about in other forums but the phase distortion you have worked to minimise is making a real difference in my hi-fi.
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Jon
Open mind and ears whilst owning GSP Genera, Accession M, Accession MC, Elevator EXP, Solo ULDE, Proprius amps, Cusat50 cables, Lautus digital cable, Spatia cables and links, and a Majestic DAC. |
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Graham Slee
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Posted: 07 Aug 2011 at 7:30pm |
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PS:
Whilst my competitors studied selling techniques and how to make their first million I was studying this very subject and every product I've designed considers this important matter. ![]() But the customer (and reviewer) will more often than not fall for the competitor's sales line... |
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That none should be able to park up and enjoy the view without a smartphone and the knowledge in how to use apps
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Graham Slee
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Posted: 07 Aug 2011 at 7:36pm |
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PPS:
Here's some more work on phase and gain margin... ![]() It makes the difference between a screamer (what tin-ear reviewers like best) and something really musical (what customers like best). |
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That none should be able to park up and enjoy the view without a smartphone and the knowledge in how to use apps
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Graham Slee
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Posted: 07 Aug 2011 at 7:40pm |
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PPPS:
You can hear the difference with loudspeakers too! |
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That none should be able to park up and enjoy the view without a smartphone and the knowledge in how to use apps
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shamu144
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Joined: 02 Nov 2010 Status: Offline Points: 64 |
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Posted: 07 Aug 2011 at 11:28pm |
Or maybe few of us know ! Back 8 months ago, I did not have the slightest idea what phase response meant (well, I still don't but at least I think I understand now the basic and how important it should be when designing).
It is this forum and of course my listening experience with the UL that has braught to my attention this new dimension of the music reproduction.
However, I feel we lack some standardized measurments in the audio industry for this critical notion of phase response that would allow us to compare in a meaningfull way different designs from different manufacturers. I am not saying this is easy, but as long as this is not provided, I fear marketing strategies will keep increasing their victims count.
PS: I also belong to this post "baby boomers" generation, and might explain my lack of awareness in those more technical aspects. Edited by shamu144 - 07 Aug 2011 at 11:44pm |
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