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Building the DAK Genera phono preamplifier |
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tg [RIP]
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Joined: 19 Jan 2008 Location: Sydney Status: Offline Points: 1866 |
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Topic: Building the DAK Genera phono preamplifierPosted: 28 Feb 2011 at 3:29pm |
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Thought afterwards I should add a preamble stating that I purchased this as would any normal user, receiving only my members discount which is available to any regular contributing member of this forum. I purchased one of these after following the design process online here and reading the extremely favourable reports of a couple of members who had built it. I felt like a straightforward DIY project and although I already own better (presumably Several people here have already enquired about an audition once it is burned in.
Building the DAK Genera phono preamplifier from Graham Slee Projects (pictures are better than mine :p) Ordering and delivery: Packaging: Contents of Kit: Makes it an ideal DIY project for first timers or those who find sourcing cases and doing casework a problem. Tools required: DMM - not absolutely necessary, but certainly makes it easier sorting the resistors :D Side cutters Needle nose pliers for bending leads. Phillips head screwdriver for case screws. PCB holder/stand - very handy indeed. Magnifying glass and good light - very handy for the elderly and vision challenged (me). The build itself: Very much a "paint by numbers" job. The position and identifying number of each component being marked on the PCB overlay apart from the power socket and output sockets (which will not go anywhere but the right place) - the polarity of electrolytic capacitors and of the diodes are also marked on the PCB. I started by sorting the resistors, using the component list which gives values and board positions (eg R1A, R1B, R11, R12 56K ohm (qty 4) Once they were all identified, I checked that all other components were present and correct. I then assembled the feet and PCB standoffs and ground connector to the case. Starting at the top of the list I proceeded to populate the board with all of the resistors and finished with the one inductor and the protection diode (not the LED). That done, I rechecked they were all in their correct positions and turned the board over and soldered them all. Pics do not show it (I started to get excited and forgot to take a good few and the quality of some that I did does leave something to be desired) but after soldering all the resistors, I then trimmed the excess leads using the side cutters. I then soldered in the film caps one at a time, working from the smallest to the largest and again trimming the excess leads after soldering in position. The voltage regulator and IC socket were then added, followed by the electrolytic capacitors, again working from smallest to largest and trimming the leads after soldering in position. That left only the power and I/O sockets to be added along with the indicator LED and fitting the opamp in the IC socket. Naturally I could not stop at that and I immediately connected it up to my Technics and Solo headphone amp and fitted an MM cartridge to the Technics, powered it all up and spun a record. Now I have not been impressed with the AT95 previously, but it was all that was available to try and the K701 and VDH First Ultimate cables are ruthlessly neutral (IMO) but straight out of the gate I was greeted by music and a demure handling of surface noise (which is always exacerbated by headphones) with none of the brashness one often expects of new gear. The unit remains powered on as part of the burn-in and I play a record or two as time allows to check progress. Who knows, the AT95 may finally break in and I may learn to like it, it certainly gave a creditable rendition of my favourite Beethoven Violin Concerto (which is much abused and rotten with surface noise) being very listenable on the K701. A most satisfying project that many could emulate without much difficulty.
Edited by tg - 15 Jul 2016 at 1:26am |
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Tony G
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tg [RIP]
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Joined: 19 Jan 2008 Location: Sydney Status: Offline Points: 1866 |
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Posted: 15 Mar 2011 at 12:29pm |
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Perhaps some have been waiting for some further listening impressions of this unit. Aside from the usual burn-in of the unit itself, full evaluation has been delayed a little by two unrelated things; the first being that I have recently changed a number of caps in my amp, they are rather large beefy things and while they are bringing worthwhile improvement overall they have been a little "hot" in the treble and being rated @ 650 volts while passing a signal probably averaging less than 5 volts PP they are naturally taking ages to settle down. Hopefully they will be getting there by next weekend: the other being that I lost most of the hearing in my right ear overnight a few days back, which, at my age could well have proved permanent when it did not come back after a day or two, this rather put the dampeners on my music appreciation for a spell, fortunately a visit to the doctor has solved that issue. I have been giving it a run through the headphone rig for a side or two a day and latterly have connected it to the speaker rig and given it a run for an afternoon or two. A few points of note: this preamp seems to have plenty of gain for all normal purposes, I have run an AT-95 (normal MM), a Denon DL-110 (nominal 1.6mV) and surprise, surprise it quite happily coped with my AT-Mono3/LP @ 1.2mV output, this last did require a little more twist of the dial on the amp, but with 18 watts that has way too much power for my speakers anyway. I have also used a Denon DL-103 with the Denon SUT AU300LC. Handling of surface noise is exemplary in line with my initial observation. In that respect it is worth noting that Graham once asked if the HOMC DL-110 produced more surface noise than the AT-95, an issue to which I had not previously paid attention. On this occasion, I have made the observation that, yes the DL-110 does produce more surface noise than the MM - with the proviso that both use the standard 47K loading. Adding a 1K loading plug to the Denon not only reduced the surface noise to the level of the MM, it was, in general an improvement that I rather liked, giving a very powerful and memorable performance on Don Juans Reckless Daughter by Joni Mitchell. So how does it sound ? - well it doesn't really, not that I have noticed anyway, it just makes music come off records and go to the speakers and sound very good. In some ways it seems more like a craftsman's TT setup and tuning tool, I did not find it at all difficult to find the best VTF for each of the cartridges I have used so far, just set it to the maximum recommended and back off until it sounds right, very easy to hear with this phono stage. I may post further thoughts following its proper "coming out" next weekend when others will have an opportunity to hear it strut it's stuff. Edited by tg - 15 Jul 2016 at 1:27am |
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Tony G
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tg [RIP]
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Joined: 19 Jan 2008 Location: Sydney Status: Offline Points: 1866 |
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Posted: 21 Mar 2011 at 2:08pm |
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Not a lot to add, my time with the Genera, whilst thoroughly enjoyable is now over. It has now been packed off to its new owner 600 miles away. Yesterday I had a couple of fellow audio enthusiasts around and we gave the little thing a thorough working out on all kinds of music to the complete satisfaction of all. One brought a far-eastern origin phono stage of comparable cost (though physically much more imposing) for comparison, after two tracks, in his own words, his was colouring the sound and losing the plot at times while the Genera just gave what was on the record and never became flustered. As a reality check before packing it up, I ran through a couple of classical favourites via the Genera and then plugged my Reflex into exactly the same setup and did not take more than a minute to hear both the family resemblance and why the Reflex is markedly more expensive. With a relatively modest frontend probably more in keeping with the cost of the Genera, the Reflex was still able to show it a clean pair of heels, sounding more like a decent cartridge upgrade and lifting the bar all round. In summary then, I found the Genera both a satisfying and straightforward DIY project and a thoroughly enjoyable and musically satisfying phono preamp. Punching well above its weight, I would expect it to provide a decent upgrade from the builtin stage of many older integrateds. Absolutely fabulous VFM - IMO of course. Graham is to be commended on bringing such great value and ease of construction to the DIY market. A thoroughly professional looking product that anyone would be proud to say they made themselves, even if the joy of ownership will be more in the listening afterwards. Edited by tg - 15 Jul 2016 at 1:27am |
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Tony G
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tg [RIP]
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Joined: 19 Jan 2008 Location: Sydney Status: Offline Points: 1866 |
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Posted: 10 Apr 2011 at 6:20am |
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Just received the following note from the new owner :
Edited by tg - 15 Jul 2016 at 1:28am |
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Tony G
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Fatmangolf
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Joined: 23 Dec 2009 Location: Middlesbrough Status: Offline Points: 9695 |
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Posted: 23 Apr 2011 at 9:17pm |
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I have a Genera and it is a great preamp. I have started to consider a Reflex M, should I take the leap, tg (and others)?
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Jon
Open mind and ears whilst owning GSP Genera, Accession M, Accession MC, Elevator EXP, Solo ULDE, Proprius amps, Cusat50 cables, Lautus digital cable, Spatia cables and links, and a Majestic DAC. |
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tg [RIP]
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Joined: 19 Jan 2008 Location: Sydney Status: Offline Points: 1866 |
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Posted: 26 Apr 2011 at 3:38am |
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Jon, the Genera is, as you know, a game changing experience at little cost, for those fortunate enough to have experienced it. The Reflex is another dimension, if you are thinking that way, I cannot imagine you will be disappointed. Edited by tg - 15 Jul 2016 at 1:29am |
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Tony G
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Fatmangolf
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Posted: 27 Apr 2011 at 8:25pm |
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Thanks tg.
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Jon
Open mind and ears whilst owning GSP Genera, Accession M, Accession MC, Elevator EXP, Solo ULDE, Proprius amps, Cusat50 cables, Lautus digital cable, Spatia cables and links, and a Majestic DAC. |
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