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2006 vintage upgrade?

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faudrei View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote faudrei Quote  Post ReplyReply Direct Link To This Post Posted: 22 Jul 2009 at 11:39pm
I do not know electronics. Therefore I can not and will not argue any given technical argument.

I trust my ears though. Even with the possibility that my hearing may be defective and/or my subjective audio quality scale may be wrong too, I tend to evaluate SQ according to that scale of mine.

Not going into details, I percieve LM4562, LM6172 and AD8397 to be overall sonically better in Green Solo than stock AD823. Even more evidently so after "speed modding" the output transistors.



Edited by faudrei - 24 Jul 2009 at 1:48pm
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Graham Slee Quote  Post ReplyReply Direct Link To This Post Posted: 23 Jul 2009 at 12:51am
Originally posted by faudrei faudrei wrote:


I do not know electronics. Therefore I can not and will not argue any given technical argument.



It is difficult for me to explain without being technical.

Edited by Graham Slee - 24 Jul 2009 at 1:26am
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamescodway Quote  Post ReplyReply Direct Link To This Post Posted: 09 Aug 2009 at 9:52am
Graham, hello.
 
As I wait with rising anticipation for the 'tad more bass' SRG that I hope will take the 701s & RS1s to a higher level, I had a thought... is the 'tad' going to be too much for the HD250s that are currently enjoying about 90% of my head-time?
 
Best
 
James
 
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Graham Slee Quote  Post ReplyReply Direct Link To This Post Posted: 09 Aug 2009 at 1:19pm
I guess if I were one of my competitors I would be saying "James, you really need one of these!", but you all know me better than that. It is possible that some could say I should be saying things like that and wishing I would, but if your'e getting 90% "up time" with the HD250 - a seemingly difficult headphone to drive, then the 2006 vintage Solo still looks a very viable amp.

In the old days when the BBC was still a British company, BBC Stores AKA Canford Audio had persuaded Sennheiser to bring back the much beloved HD250 because nothing could match its neutrality in balancing the EQ controls for the "best average" radio performance. The result is the HD250 linear II you, I and a few others still use.

After many years of being heavily influenced (and I make out that nobody influences me...) by the 120R series resistor of the DIN and IEC audio matching system was absolute tripe! I had a wise and common sense realisation: with Sennheiser being Deutsche (the D in DIN) there could be some sense in the DIN/IEC audio matching system - after all, it had it right for phono stages.

So there's a clue to where the extra bass was found...

The SRG still features the secondary negative feedback loop that corrects for the comb effect many have found while testing all kinds of headphones - something that the 120R was criticised for emphasizing - but with this secondary negative feedback loop in place, the 120R becomes, dare I say it? Blameless!

So, for SRG (non i or II) owners, is it just a matter of swapping two 33R resistors for two 120R resistors? Well, I did a lot more than that before arriving at such a conclusion, but if the Spirited DIYer wants to give it a try, that single change may do the trick...

Now, the really technical may want to know how I justify such an allegiance with DIN/IEC? The answer can be read above by Mr jamescodway.

But really, it is just transmission line stuff - the stuff that makes it possible for the telephone network to exist - the stuff that makes it possible to send RF up a transmitter pole - the stuff that makes DMX lighting cable runs work, and in actual fact it is also known as maximum power theorem.

What it isn't is someone else's say so.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote jamescodway Quote  Post ReplyReply Direct Link To This Post Posted: 09 Aug 2009 at 5:35pm
Thank you very much for the prompt response Graham. I confess I only get the gist of the technical story but I know others will get the specifics. I interpret your remarks as (insert tongue in cheek)...
 
"James, your 2006 Solo/PSU1 will continue to sound as good with the 250 LII as it ever has and if you want that tad more bass (& other possible 'benefits') for your 701/RS1 you'll have to run to a good dealer with a run-in SRG in due course and see if it makes enough of difference with those cans to add to your (growing) collection of GS products..."
 
FWIW, I am rapidly falling out of any love with the HD650s...
 
Keep up the good work in the cause of keeping our ears 'warm'  Clap
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Post Options Post Options   Thanks (0) Thanks(0)   Quote mrarroyo Quote  Post ReplyReply Direct Link To This Post Posted: 13 Aug 2009 at 12:07am
Nice post to read Graham! For those not technically competent will you be providing them w/ an sketch on which resistors to change? Yes I am technically challenged. ;)
Miguel
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Post Options Post Options   Thanks (0) Thanks(0)   Quote faudrei Quote  Post ReplyReply Direct Link To This Post Posted: 14 Aug 2009 at 12:31am
That would be easy... even for me...

The two 33R are the only two resistors that are bigger than other resistors in Solo (rated 0,5 W, all other resistors are rated 0,25 W).

...perhaps a pair of 120R 0.5W Takman carbon films in their place (http://www.hificollective.co.uk/components/takman_resistors.html)?


Edited by faudrei - 14 Aug 2009 at 12:42am
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