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2M Black / AT440MLa / MP500 setting and comparison

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Fatmangolf View Drop Down
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    Posted: 02 Feb 2023 at 6:19pm
Virtuoso indeed!
Jon

Open mind and ears whilst owning GSP Genera, Accession M, Accession MC, Elevator EXP, Solo ULDE, Proprius amps, Cusat50 cables, Lautus digital cable, Spatia cables and links, and a Majestic DAC.
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Post Options Post Options   Thanks (1) Thanks(1)   Quote morris_minor Quote  Post ReplyReply Direct Link To This Post Posted: 02 Feb 2023 at 11:22am
I totally agree about Les Paul Now! Decca Phase 4 at its peak Smile

Four years ago I did a video of side 2 with my now defunct Ortofon Vivo Red on a Sony Biotracer with the Reflex M and Elevator doing the heavy lifting.

Enjoy the cheesy listening LOL



Bob

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lucabeer Quote  Post ReplyReply Direct Link To This Post Posted: 01 Feb 2023 at 9:53pm
Anyway... In January, apart from the stylus replacement on the AT 440MLa, I have been using the Ortofon 2M Black A LOT. I put up some 50 hours on it in just one month. With headphones, no casual listening.

Still a love/hate relationship with it, even when perfectly set. With good pressings... boy, does it shine! You may not like the music, but Muse have an excellent history of quality pressings, and all their albums sound fantastic on vinyl with the 2M Black. Arctic Monkey's AM, ditto. Metallica's St Anger... ditto. But also Red Hot Chili Peppers, Opeth, New Order... They all sound great, with meaty bass AND extended highs, on this cartridge.

But take something pressed/mastered not as well... Take a record with hints of sibilance on the vocals, and it's amplified. Take a record with high-ish noise floor, and it will become distracting. Take a record with a couple of pops, and they will sound like gunshots. Take a record with hot mixing and ringing cymbals, and your ears will bleed.

In the past I stated that I used to prefer the Bronze stylus as it's more tolerant of less than perfect pressings, while not losing quality with the perfect ones. I still stand to that predicament.

Some say the Black is fussy with its setting. Maybe, but it's even fussier with the quality of the LP it's riding on, to the point of being (at times) distracting from the enjoyment of the music.

And I don't know if I have already suggested it in the past, but try to find a good copy of this:


It should be cheap... I found a pristine copy in my father's records. The music may be a bit cheesy at times, but the virtuoso playing is impressive. And sonically, it's one of the best records I have ever heard. No surface noise at all, and the frequency extension, transparency and clarity is impressive, and the same can be said about pacing, drive, decay and liveliness. 60 years old, and you would be excused for thinking it was a high res digital recording rather than a 12" slice of PVC recorded with "obsolete" equipment. Decca really knew what they were doing...


Edited by Lucabeer - 02 Feb 2023 at 10:19pm
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Post Options Post Options   Thanks (0) Thanks(0)   Quote RichW Quote  Post ReplyReply Direct Link To This Post Posted: 20 Jan 2023 at 10:46pm
End-of-side distortion - compression, confusion and smudging. It just seemed to be something to put up with ...
Hearing an end-of-side orchestral climax or a band at full tilt with no drop in resolution is an ear opener
after being accustomed to preconceptions of what LP sound is capable of.

A little considered and careful setup of a cartridge with a 'fussy' tip that needs to sit in the groove 
just so - is worth it.
It's an interesting exercise in micro engineering.



Edited by RichW - 20 Jan 2023 at 10:52pm
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Fatmangolf View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Fatmangolf Quote  Post ReplyReply Direct Link To This Post Posted: 20 Jan 2023 at 8:23pm
I think you are right and that different stylus shapes allow this.
Jon

Open mind and ears whilst owning GSP Genera, Accession M, Accession MC, Elevator EXP, Solo ULDE, Proprius amps, Cusat50 cables, Lautus digital cable, Spatia cables and links, and a Majestic DAC.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Lucabeer Quote  Post ReplyReply Direct Link To This Post Posted: 20 Jan 2023 at 7:45am
Originally posted by Fatmangolf Fatmangolf wrote:

That is one of the conical stylus's merits.


Yes, no fuss, it just works. No Hi-Fi sound, but... it works.

The only instance where I remember it didn't work so well was The Beatles 1967-70. Even my untrained 15 years old ears could easily notice that "The long and winding road", placed at the end of the LP (on the very internal groove of an already very crammed record with lots of songs per side), sounded like an absolute mess: muddy, congested, distorted, as if played under water. The symphonic arrangement was a unique blob of sound.

I still have that double album, and surprisingly it didn't get damaged by the "obsolete" conical stylus, though. It sounded awful on that setup, but 35 years later when played on a more advanced stylus now it finally plays beautifully.

And yes, on a general note, apart from scuffs and scratches and dirt, most 50-60-70 years old records from my father don't exhibit particular signs of groove damage, even the most played ones. Some do indeed (such as, sigh, the LPs in the Sinatra boxset pressed by Dell in the '80s), but others which have received much more play and should have been in a much worse state of wear... don't. Go figure.
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Graham Slee Quote  Post ReplyReply Direct Link To This Post Posted: 19 Jan 2023 at 9:45pm
Originally posted by Lucabeer Lucabeer wrote:

So, my current recommended settings for the 2M Black on the Technics 1200/1210 Mk2 are:

VTF: 1.65 g
Antiskate: 2
VTA: 1.5 with 3-4 mm mat (those with the original 6mm mat will want to dial 3.5/4)

Thank you for this. I am now using these settings, but I have to use the add-on counterweight and the black is the one with combined headshell.
My blog is sponsored by Cadman Enterprises Limited
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