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0dBFS+ : ripping, and DAC implementations

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morris_minor View Drop Down
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Post Options Post Options   Thanks (0) Thanks(0)   Quote morris_minor Quote  Post ReplyReply Direct Link To This Post Topic: 0dBFS+ : ripping, and DAC implementations
    Posted: 11 Oct 2014 at 12:07pm
I've just come across this article.

It might be 10 years old but I'm guessing the science hasn't changed . . . Wink

It's made me rethink my approach to vinyl rips, and why normalising to 0dB turns out to be a Bad Thing.
For those who don't want to read the article it's because although the samples might not exceed 0dB the inter-sample peaks will, thus causing distortion unless the DAC can handle 0dBFS+ situations. And it's not the DAC chips themselves that are the issue here, it seems, but their implementation.

I'm wondering if this situation is something generally considered when building a DAC today, or if modern DAC chips are designed to cope with 0dBFS+ ?
Bob

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Accession MC/Enigma, Accession MM, Reflex M, Elevator EXP, Era Gold V
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Post Options Post Options   Thanks (0) Thanks(0)   Quote Fatmangolf Quote  Post ReplyReply Direct Link To This Post Posted: 11 Oct 2014 at 6:42pm
It's a good point well made Bob. One of the (many) features of the Majestic that I admire is the -2dB digital attenuation* to avoid over-FS distortion, with analogue gain make-up. I can't do Graham's expertise justice but I can say the majestic has made a number of my CD's from the "loudness wars" listenable, where they were harsh sounding.

I used to use 0dB when recording and mixing, I realised it sounded a bit unnatural and looked bad on the waveforms (because of all the clipping). I now v-rip well below clipping on my ADC and then normalise to -1dB.

*I have read through the WM8741 datasheet and know this feature is available. Using it well is the real skill.
Jon

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Post Options Post Options   Thanks (0) Thanks(0)   Quote Graham Slee Quote  Post ReplyReply Direct Link To This Post Posted: 11 Oct 2014 at 11:28pm
Correct, the Majestic DAC chip runs at -2dBFS and the analogue stage - where there is headroom - adds 2dB.
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