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Analogue remaster = Analogue original |
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Teesside Tom
Senior Member Joined: 27 Aug 2021 Status: Offline Points: 115 |
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Thanks to fluddite for the tip on converting the screen shot to jpg and the maximum file size posting.
As regards sound reproduction quality, I'm not as learned as some contributors but I can say I was immediately impressed with what I heard the first time I played the album My East is Your West from Gearbox records, and the system was stone cold. |
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Teesside Tom
Senior Member Joined: 27 Aug 2021 Status: Offline Points: 115 |
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If all sellers of vinyl recordings gave the recording information available on Gearbox Records for individual albums we would all be much better informed, but maybe we should be careful what we wish for.
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patientot
Senior Member Joined: 28 Nov 2018 Location: USA Status: Offline Points: 1525 |
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GZ is a massive plant, one of the largest in the world. And it's definitely true that they focus on the mass market and some of those releases are very hit or miss. When they want to do great work, they can though. A friend of mine had a record cut by them via DMM and then pressed at their associated plant, Precision Record Pressing (Canada). It turned out great. NOT AAA because the album was digitally recorded to begin with.
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SL-1200 MK7 (modified) + Reflex M + PSU-1 used with AT150-40ML, AT VM95ML, Stanton 680mkII + Ogura, and Shure M35X cartridges.
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patientot
Senior Member Joined: 28 Nov 2018 Location: USA Status: Offline Points: 1525 |
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A few years ago those Beatles blue and red comps could be had for $10 or less in the U.S. I think prices may have climbed a bit since then, but there are still many common albums that can be had cheaply if you know where to look. I have seen prices on popular classic rock steadily climbing. Many of the records simply aren't worth paying those asking prices based on condition and sound though, IMHO. Blue Note stuff has really gone through the roof. Even less desirable 70s reissues, 80s DMM cuts, etc. I see at ridiculous jacked-up prices. Besides pricing, it's worth noting that guys like Gray and Smith have very different mastering styles than RVG or his contemporaries had back in the day. Those old records had to be cut to sound good on record changers, console stereos, etc. They weren't made for the kinds of gear we see people running today. RVG would add compression and roll off highs for those old changers.
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SL-1200 MK7 (modified) + Reflex M + PSU-1 used with AT150-40ML, AT VM95ML, Stanton 680mkII + Ogura, and Shure M35X cartridges.
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lfc jon
Senior Member Joined: 23 Jan 2018 Location: Devon Status: Offline Points: 3986 |
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I see Mobile Fidelity Sound Lab (MoFi) have got them selfs into a bit of trouble over their claim about their vinyl records being all analogue it seems that part of the process is done in digital. You can read more on this on "The Washington Post" website.
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Reflex M, Solo (both with PSU-1) CuSat50, Lautus, Spatia & Spatia links cables. Ortofon Bronze.
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Fatmangolf
Moderator Group Joined: 23 Dec 2009 Location: Middlesbrough Status: Offline Points: 8998 |
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Indeed. When AAA isn't AAA!
As others have written there is outrage from some customers about the hidden step, sort of AADA, but little heard from those who said all analogue was what they discerned in MoFi.
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Jon
Open mind and ears whilst owning GSP Genera, Accession M, Accession MC, Elevator EXP, Solo ULDE, Proprius amps, Cusat50 cables, Lautus digital cable, Spatia cables and links, and a Majestic DAC. |
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lfc jon
Senior Member Joined: 23 Jan 2018 Location: Devon Status: Offline Points: 3986 |
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Most records I've had off MoFi have been vary good but I did have one which to me for what I paid for it was no better than the original and the quality of the record itself was poor and I thought to myself at the time, they need to get their quality control sorted out, the seller agreed with me and I got a refund.
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Reflex M, Solo (both with PSU-1) CuSat50, Lautus, Spatia & Spatia links cables. Ortofon Bronze.
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